Luiz Bertazzo

Walter Salles’ I’m Still Here (Ainda Estou Aqui) isn’t just a film; it’s an emotional gut-punch, a reckoning with Brazil’s unhealed wounds through the eyes of a family that refused to be erased. This deeply personal and politically charged story earned a ten-minute standing ovation and the Best Screenplay award at Venice, and I’m not surprised. Salles’ long-standing connection with the Paiva...