Writer/Director Mark Leonard Winter brings audiences his debut The Rooster. A contemporary psychological drama set amongst the backdrop of an isolated, Australian forest community. On opening, two things are obvious. One, The Rooster is a visual treat. Masterful shots showcase the gorgeous landscape of rural Victoria. Two, you’re either going to ignore or be frustrated by the often distracting and...
Uproar brings us the fictional story of misfit Josh (Julian Dennison, Deadpool 2), set against the very real backdrop of New Zealand’s 1981 Rugby protests. Written and directed by Hamish Bennett (Bellbird) and Paul Middleditch (Terra Nova), Uproar is one not to miss. Beautifully shot, with heartbreaking subtext at every turn, driven by exceptional and powerful performances. There’s an undertone of...
For anyone not following cinema news over the last year, Napoleon is the latest film by Sir Ridley Scott (Gladiator, The Dualists), starring Joaquin Phoenix, (Joker, 8mm) as the titular emperor and Vanessa Kirby (The Crown) as Empress Josephine. Written by David Scarpa (All the Money in the World), the theatrical version of this sprawling eighteenth century epic follows Bonaparte’s journey as lowl...
In cinemas from today (23rd), Cat Person is part cautionary tale and part mirror for participants in the modern dating scene. A serviceable psychological thriller and drama that sticks with you after viewing. It’s not shocking or surprising, the events playing out on screen are mostly predictable as they are humorous. It is the pondering and attempting to understand individual character motivation...
Francis Lawrence (Catching Fire, Mockingjay films) continues to realise Suzanne Collin’s Panem and the aristocratic machinations of that fictional, dystopian future. Ballad of Songbirds and Snakes acts as a prequel to the much loved Hunger Games saga, following an adolescent Corolianas Snow (Tom Blyth- Billy the Kid) as he comes into this world an already downtrodden and bitter individual, with mu...
In Australian cinemas from today, The Dive poses the question; How far would you push yourself to save another life? Pretty far, as it turns out. Directed by Maximillian Erlenwein on a low budget of $15 million, The Dive is a curious flick. A German/English remake of a Norwegian diving flick sporting the same premise. A pair of somewhat estranged sisters meet up for their ritual dive, a passion in...
Retribution is an ordinary action movie that takes no risk, offering little reward. The film is produced by Studio Canal, directed by Nimród Antal, starring Liam Neeson. This review will be short, thankfully, much like the one hour and thirty-minute runtime of this flick. Retribution isn’t the worst action movie, but it’s safe to say it’s the second-worst action movie of 2023. I&...
Other young and aspiring horror film directors would be forgiven for wanting to pack it in on viewing Danny & Michael Philippou’s Talk to Me. It’s a masterclass in contemporary horror cinema featuring fresh, visceral storytelling and inspiring cinematography. Talk to Me is going to be tough to top in a year that’s already seen the hugely successful Evil Dead Rise. The RackaRacka lads trade the...
Tom Cruise is back on screen seeking the improbable – convincing an audience that he’s still top of his game at an over ripe sixty-one years old. In cinemas from today, Mission Impossible Dead Reckoning Part One (sheesh what a handful) proves just that, putting other action hero franchise films from this year in the corner. Mi7.1 has thrilling action sequences, but is bogged down by long-win...
Hitting Australian cinemas a couple months shy of another anticipated Meg movie, The Black Demon falls short of mediocrity with a blend of pulpy mythological horror and environmental awareness. Directed by Adrian Grünberg (Rambo: Last Blood) and starring Josh Lucas (trading Red Dog for a Megalodon shark) The Black Demon tells the story of Paul Sturges (Lucas), who brings his family along for a wor...
Universal Pictures and director Chris McKay, (The LEGO Batman Movie), invite you to suck on Renfield. A modern kind of sequel to 1931’s Dracula, yes, that one with Bela Lugosi. In short, it’s pretty fun, it doesn’t suck! Renfield stars Nicholas Hoult as the titular ghoul and Nicholas Cage as the infamous count, both of whom need no introduction. The film acts as a situation comedy first, action ho...