Edgar Wright’s love for vintage music has been more apparent than ever from his last few films, more recently in his documentary The Sparks Brothers and prior to that, the thumpingly cool caper Baby Driver. But music is also put to expert use in his earlier comedies. I’m sure many (like myself) still associate Queen’s “Don’t Stop Me Now” with Shaun of the Dead and his new film, Last Night In Soho,...
I don’t think M. Night Shyamalan understands what people actually liked about The Sixth Sense and it seems like no one’s bothered explaining it to him in 20 years. I say this as someone who still has not seen Split (I’ve heard it’s the exception to the rule that has plagued the better part of two decades of his filmography) but who has developed a great fatigue for Shyamalan’s perception of his ow...