Edgar Wright’s love for vintage music has been more apparent than ever from his last few films, more recently in his documentary The Sparks Brothers and prior to that, the thumpingly cool caper Baby Driver. But music is also put to expert use in his earlier comedies. I’m sure many (like myself) still associate Queen’s “Don’t Stop Me Now” with Shaun of the Dead and his new film, Last Night In Soho,...
“Just when I thought I was out, they pull me back in” – Silvio Dante (in his beloved Michael Corleone bit) accurately describing what all Sopranos fans were thinking upon seeing the trailer for The Many Saints of Newark, the new film from Alan Taylor (director of the original series.) After many Covid-related reschedules it’s finally here and refreshingly, in theatres. Sopranos creator...
As someone who’s turned a Mads Mikkelsen obsession into a personality trait I am contractually obliged to wax lyrical about everything he does. But I don’t think it’s bias talking when I say that Riders of Justice, from Anders Thomas Jensen, is a wholly successful absurdist action comedy for (almost) the entire family. Its ultraviolence fits nicely in the John Wick/Nobody era of frustrated male wi...
NITRAM is a tough film to watch. It’s excellent. Possibly too excellent. I think if I wasn’t Australian, if I didn’t remember the 1996 Port Arthur Massacre, it would be just a brilliant true-crime film. But I do, and so there’s an element of misery I bring into the cinema with me. The Port Arthur Massacre ended with 35 people dead, and 23 people injured. It led to a complete overhaul of Australia’...
Whoever said ‘You catch more flies with honey than vinegar’ (a honey salesman, probably) was surely referring to Nicolas Cage’s arc in Michael Sarnoski’s directorial debut Pig. Marketed (wrongly, or perhaps sneakily) as a swiney John Wick, this is a film that shows its subject as much tenderness and care as Cage’s character shows every ingredient he uses in its grand finale. For those expect...
“So may we start?” sing Sparks and the cast at the beginning of Annette, a film that asks its audience’s permission before proceeding with surely one of the most unique cinematic experiences they’ll have this year. It is the English language debut from bizarro French auteur Leos Carax (Holy Motors) that Wikipedia describes as a ‘musical romantic drama film’ but that IMDb classifies as a documentar...
A man sits at an antique desk with a clipboard and poses you this scenario: you’re a prisoner of war and your son just tried to escape, and all that stands between him and a hanging is a chair. If you do not kick the chair out from under him, your son, you, and all the other prisoners will be killed. Do you kick the chair? It’s the heaviest question I’ve ever heard in a job interview, but we are d...
I don’t appreciate jump scares, Mr Krasinski. I expected as much from A Quiet Place: Part II, but there is still much to like about this sequel to the very successful 2018 monster feature that created a silence in the cinema I hadn’t experienced since seeing The Strangers by myself. Would this new installment garner the same shut-the-hell-upness among its audience? Mostly yes. Part II opens ...
Those Who Wish Me Dead is the new feature from Taylor Sheridan, who knocked it out of the park with his screenplays for Sicario, Hell or High Water and Wind River (the latter of which he also directed.) It stars Jon Bernthal, Aidan Gillen, Nicholas Hoult and a little lady (you probably haven’t heard of her) called Angelina Jolie. From the trailer I was expecting a Hollywood rendition of Firewatch ...
Remember that episode of The Office where the employees of Dunder Mifflin spent company time debating whether or not Hilary Swank could be considered ‘hot’? That accurately describes my experience watching Fatale, the new film written by David Loughery (not to be confused with talented filmmaker David Lowery) and from director Deon Taylor, whose highest rated work currently sits at 52%...