Reviews
Halloween Ends Review
Is Halloween Ends a return to form or does the film continue the downward spiral that began with Kills? It is both. There, I said it. Once again, Davi...
Mona Lisa and the Blood Moon Review
From Ana Lily Amirpour, acclaimed director of a film about a dangerous girl who punishes bad people with her fangs, comes Mona Lisa And The Blood Moon...
The Stranger Review
Joel Edgerton and Sean Harris are not as they appear in Thomas M. Wright’s quietly terrifying sophomore feature, The Stranger. Based on one of the bet...
Under Cover Review
Women over 50 are the fastest growing cohort of homeless people in Australia. UNDER COVER is a confronting, yet kind documentary, about the real peopl...
On The Count Of Three Review
A pistol points directly at the face of a “ramen noodle-headed” Christopher Abbott as he stares intently at someone off-camera. “I love you man. You’r...
Don’t Worry Darling Review
Don’t Worry Darling is the latest film from Actor/Director Olivia Wilde. Following the success of 2019’s Booksmart, Wilde turns her attention to telli...
Ticket to Paradise Review
Ticket to Paradise promises escapism, tropical paradise and a return to the Roberts/Clooney era of big blockbuster films. While upon first glance, it ...
Clean Review
From the director of Big In Japan (a doco about an Australian man chasing fame overseas) comes a story about an Australian woman who managed to reach ...
The Retaliators Review
THE RETALIATORS is a completely gratuitous blood-fest of gore and violence. And I absolutely adored it. THE RETALIATORS tells the story of a handsome ...
Bodies Bodies Bodies Review
I’m not really too sure what I went in expecting from Bodies Bodies Bodies, the much anticipated new film from director Halina Reijn and A24 Films, bu...
True Things Review
TRUE THINGS is a viscerally uncomfortable film to watch. This isn’t me denigrating the film. TRUE THINGS is very good. My deep, skin-crawling discomf...
Beast Review
If you have ever wanted to see Idris Elba punch a wild lion on the snout, Universal Pictures has got your back. Directed by Baltasar Kormákur, Beast s...
Tuesday Club Review
Panko-crusted salmon is the way to the heart in Annika Appelin’s debut feature, Tuesday Club – a dish described on the menu as ‘spicy’ but...
Nope Review
Below is a somewhat spoiler-y (though not as spoiler-y as its three minute trailer) review of Nope. I’m still not entirely sure where I land on the fi...
Bullet Train Review
David Leitch (Deadpool 2) directs Sony Picture’s Bullet Train – an action-packed murder mystery of 5 assassins whose missions become progressive...
Girl at the Window Review
Mark Hartley, director of the Patrick remake and Not Quite Hollywood (highly recommended) returns to present audiences with The Girl at the Window, a ...
Where the Crawdads Sing Review
Based on the best selling 2019 novel of the same name, Where the Crawdads Sing, directed by Olivia Newman, is a magical and muddy modern fairytale of ...
The Black Phone Review
Based on a short story by Joe Hill, Scott Derrickson’s The Black Phone is a well paced thriller that successfully crosses genre boundaries. Subverting...
The Phantom of the Open Review
It is 1976, and Maurice Flitcroft (Mark Rylance), a crane driver in his mid-40s, is being made redundant at the Vickers Armstrong shipyard in Barrow-i...
The Woodcutter Story Review
Mikko Myllylahti’s debut feature film tells the story of an idyllic Finnish village descended in to madness with the closure of the local sawmill.&nbs...